Libanius Pro Saltatoribus can be seen as a remarkable source dealing with the Body Laws which ruled ancient Performers. This article analyzes and aims at highlighting the Performer’s gestures, training and Body strategies in the way Libanius describes them to the reader. According to him, both actors’ mind and soul are not perverted by the rules of their physical performances. Henceforth, the Platonic and Aristotelian theory, which dated back to V and VI centuries, is rejected; at the same time the one growing up in the theatre milieu is strongly asserted. This treatise is an exhaustive source which goes deeply into the study of ancient theatre, of Performer acting and of playing
Includes bibliographical references and index.Rhetoric and the distortion of reality -- A rhetor and...
Riedlbauchová, Veronika: The Conscious Body (Actor Body Language and Stage Composition), doctoral th...
This volume brings together six papers relating to oratory and orators in public fora of Classical G...
Libanius Pro Saltatoribus can be seen as a remarkable source dealing with the Body Laws which ruled ...
The paper aims at exploring the Laws which rule the Body both in the work of actors and performers i...
The paper aims at exploring the Laws which rule the Body both in the work of actors and performers i...
Ancient rhetoric considers orators not only as speech producers but also views body language activit...
This dissertation analyzes Roman oratory of the early empire (c. 31 B.C.E. - c. 100 C.E.) in its dua...
The purpose of this essay is to investigate the process of conceptualization and cultural constructi...
This thesis explores the construction of the orator and oratory in Roman Imperial Literature and Soc...
A total of sixty-four orations survive from the hand of Libanius. Four of these speeches were deliv...
Public spectacles incorporating oratory played a central role in the social and political life of th...
A professor of Greek rhetoric, frequent letter writer and influential social figure, Libanius (AD 31...
Based on professional literature and historical sources (essays, pictorial material, musical scores ...
The following article deals with a possibility of finding some parallels between oratory art and sta...
Includes bibliographical references and index.Rhetoric and the distortion of reality -- A rhetor and...
Riedlbauchová, Veronika: The Conscious Body (Actor Body Language and Stage Composition), doctoral th...
This volume brings together six papers relating to oratory and orators in public fora of Classical G...
Libanius Pro Saltatoribus can be seen as a remarkable source dealing with the Body Laws which ruled ...
The paper aims at exploring the Laws which rule the Body both in the work of actors and performers i...
The paper aims at exploring the Laws which rule the Body both in the work of actors and performers i...
Ancient rhetoric considers orators not only as speech producers but also views body language activit...
This dissertation analyzes Roman oratory of the early empire (c. 31 B.C.E. - c. 100 C.E.) in its dua...
The purpose of this essay is to investigate the process of conceptualization and cultural constructi...
This thesis explores the construction of the orator and oratory in Roman Imperial Literature and Soc...
A total of sixty-four orations survive from the hand of Libanius. Four of these speeches were deliv...
Public spectacles incorporating oratory played a central role in the social and political life of th...
A professor of Greek rhetoric, frequent letter writer and influential social figure, Libanius (AD 31...
Based on professional literature and historical sources (essays, pictorial material, musical scores ...
The following article deals with a possibility of finding some parallels between oratory art and sta...
Includes bibliographical references and index.Rhetoric and the distortion of reality -- A rhetor and...
Riedlbauchová, Veronika: The Conscious Body (Actor Body Language and Stage Composition), doctoral th...
This volume brings together six papers relating to oratory and orators in public fora of Classical G...